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Actor, Singer, Host, Vintage Vixen


With several professional productions spanning more than a decade in theatre, Sarah has worked with top theatre companies in the Philippines such as Atlantis Theatrical,  Repertory Philippines, 9Works Theatrical, Resorts World Manila, The Sandbox Collective, and is co-founder of Company of Actors in Streamlined Theatre (C.A.S.T.) responsible for the recent staging of UNCLE JANE, a Chekov adaptation, where she also did the scenic design.

As an actor, Sarah was last seen in Atlantis Theatrical’s Philippine and Singapore run of SWEENEY TODD: THE DEMON BARBER OF FLEET STREET. Her other theatre credits include: KINKY BOOTS; WAITRESS, GREEN DAY'S AMERICAN IDIOT THE MUSICAL; NO FILTER: THE MILLENIAL MONOLOGUES ;  DOG SEES GOD (Philippine Inquirer's Best of Theater citation for best supporting actress in a play 2016) ; GREASE THE MUSICAL (PHILSTAGE Gawad Buhay Award for Outstanding Production of an Existing Material for a Musical in 2013) ; THE KING AND I, and THE SOUND OF MUSIC among others. She is also a resident facilitator for the Atlantis Musical Theatre Workshops and was Assistant Director for the Atlantis Imaginarium Young Theatre's MADAGASCAR THE MUSICAL.

She made her directorial debut in Virgin Labfest 18: HITIK with Juliene Mendoza’s 10 TO MIDNIGHT.

She's also an actor for tv & film, a model for print & commercials, and does voice work for digital & radio ads.

A graduate of De La Salle-College of St. Benilde with a Multimedia Arts degree, when not performing, she works as a freelance graphic designer.

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